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Post by Honeylioness on Feb 9, 2011 10:49:53 GMT -5
Here's A Health To The Company
(Trad)
Kind friends and companions come join me in rhyme Come lift up your voices in chorus with mine Come lift up your voices all grief to refrain For we may or might never all meet here again
So here's a health to the company and one to my lass Let's drink and be merry all out of one glass Let's drink and be merry, all grief to refrain For we may or might never all meet here again
Here's a health to the wee lass that I love so well For style and for beauty there's none can excel There's a smile on her countenance as she sits upon my knee There is no man in in this wide world as happy as me
So here's a health to the company and one to my lass Let's drink and be merry all out of one glass Let's drink and be merry, all grief to refrain For we may or might never all meet here again
Our ship lies at anchor, she is ready to dock I wish her safe landing without any shock And if ever I should meet you by land or by sea I will always remember your kindness to me
So here's a health to the company and one to my lass Let's drink and be merry all out of one glass Let's drink and be merry, all grief to refrain For we may or might never all meet here again
A parting song. This version is as sung by Kevin Conneff of The Chieftains.
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Post by Honeylioness on Feb 25, 2011 15:18:17 GMT -5
From the movie "Bull Durham"
Annie Savoy: These are the ground rules. I hook up with one guy a season. Usually takes me a couple weeks to pick the guy - kinda my own spring training. And, well, you two are the most promising prospects of the season so far, so I just thought we should kinda get to know each other.
Crash Davis: Time out. Why do you get to choose?
Annie Savoy: What?
Crash Davis: Why do you get to choose? I mean, why don't I get to choose, why doesn't he get to choose?
Annie Savoy: Well, actually, nobody on this planet ever really chooses each other. I mean, it's all a question of quantum physics, molecular attraction, and timing. Why, there are laws we don't understand that bring us together and tear us apart. Uh, it's like pheromones. You get three ants together, they can't do thingy. You get 300 million of them, they can build a cathedral.
[Crash laughs]
Ebby Calvin LaLoosh: So is somebody going to go to bed with somebody or what?
Annie Savoy: Honey, you are a regular nuclear meltdown. You better cool off. Ha ha, ha ha!
[to Crash]
Annie Savoy: Oh, where are you going?
Crash Davis: After 12 years in the minor leagues, I don't try out. Besides, uh, I don't believe in quantum physics when it comes to matters of the heart.
Annie Savoy: What do you believe in, then?
Crash Davis: Well, I believe in the soul, the cock, the pussy, the small of a woman's back, the hanging curve ball, high fiber, good scotch, that the novels of Susan Sontag are self-indulgent, overrated crap. I believe Lee Harvey Oswald acted alone. I believe there ought to be a constitutional amendment outlawing Astroturf and the designated hitter. I believe in the sweet spot, soft-core pornography, opening your presents Christmas morning rather than Christmas Eve and I believe in long, slow, deep, soft, wet kisses that last three days.
[pause]
Crash Davis: Goodnight.
Annie Savoy: Oh my. Crash...
Ebby Calvin LaLoosh: Hey, Annie, what's all this molecule stuff?
**************************
Ebby Calvin LaLoosh: The other day Crash called a woman's pu... pussy... um, well, you know how the hair is kind of in a V-shape?
Annie Savoy: Yes, I do.
Ebby Calvin LaLoosh: Well, he called it the Bermuda Triangle. He said that a man could get lost in there and never be heard from again.
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Post by Honeylioness on Aug 23, 2011 12:55:38 GMT -5
What was the music that the Shakespeare company was singing at the end in The West Wing, Season Three episode: "Posse Comitatus"?
Mel Kirby tells us "the song sung by the supposed Shakespeare Company at the end of the segment of the 'Wars of the Roses' being watched on Broadway by Pres. Bartlett is called 'Patriotic Chorus' by Stephen Oliver. It was originally composed as the Finale of the mock-Victorian revisionist 'Romeo and Juliet' which closes Part One of the 9 hour-long, 1983 Royal Shakespeare Company production of thingyens 'The Life and Adventures of Nicholas Nickelby' which was an actual hit in London's West End and on Broadway in the early 80's. One would assume that the RSC and 'endlessly long', high-brow nature of both plays would have created the intellectual resonance for Sorkin. And the originally tongue-in-cheek words and tune, a send-up of typical Victorian xenophobia, have a certain irony as played over the assassination of the Qumari defense minister."
Mel Kirby also sent us the following Lyrics:
"England arise! Join in the chorus! It is a new made song you should be singing. See in the skies, flutt'ring before us what the bright bird of peace is bringing!
Chorus: See upon our smiling land where the wealths of nations stand where prosperity and industry walk ever hand in hand. Where so many blessings crowd, 'tis our duty to be proud. Up and answer, English Yeoman, sing it joyfully aloud. Evermore upon our country God will pour his rich increase, And victorious in war shall be made glorious in peace, And victorious in war shall be made glorious in peace.
this verse omitted on West Wing
[ See each one do what he can to further God's almighty plan. The benificence of heaven help the skilfulness of man. Ev'ry garner fill'd with grain, Ev'ry meadow blest with rain: Rich and fertile is the golden corn that bear and bears again.]
Where so many blessings crowd, 'Tis our duty to be proud. Up and answer, fellow Britons, sing it joyfully aloud.
Evermore upon our country God will pour his rich increase...etc."
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Post by Honeylioness on Aug 23, 2011 13:09:51 GMT -5
Translation of the Latin speech the President made to God from episode #44 "Two Cathedrals" - The West Wing Season Two
As usual our viewers came through with the answer to a question that inquiring minds want to know: What was it the President said to God in Latin in the Cathedral after Mrs. Landingham's funeral? We had two answers within a few minutes of asking the question on the website (within an hour of the show ending in Mountain Time):
Michael Myer (West Wing fan; Latin teacher) wrote with the Latin and the translation:
"The first is just a sarcastic, "Thanks a lot, buddy!"
gratias tibi ago, domine. Thank you, Lord.
haec credam a deo pio, a deo justo, a deo scito? Am I to believe these things from a righteous god, a just god, a wise god?
cruciatus in crucem To hell with your punishments! (literally "(put/send) punishments onto a cross")
tuus in terra servus, nuntius fui; officium perfeci. I was your servant, your messenger on the earth; I did my duty.
cruciatus in crucem -- (with a dismissive wave of the hand) eas in crucem
To hell with your punishments! And to hell with you! (literally, "may you go to a cross")"
A few minutes before, we had also heard from Jason Chappel, who gave a quick translation as:
"Am I to believe that these are the acts of a loving God? A just God? A wise God? To hell with your punishments. I was your servent here on Earth. And I spread your word and I did your work. To hell with your punishments. To hell with you!"
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Post by Honeylioness on Jan 3, 2012 16:09:14 GMT -5
Invictus - William Ernest Henley
Out of the night that covers me, Black as the pit from pole to pole, I thank whatever gods may be For my unconquerable soul.
In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeonings of chance My head is bloody, but unbowed.
Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds and shall find me unafraid.
It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate: I am the captain of my soul.
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Post by Honeylioness on Jun 30, 2013 11:03:52 GMT -5
THE LADY OF SHALOTT by ALFRED, LORD TENNYSON
Part I.
On either side the river lie Long fields of barley and of rye, That clothe the wold and meet the sky; And thro' the field the road runs by To many-tower'd Camelot; And up and down the people go, Gazing where the lilies blow Round an island there below, The island of Shalott.
Willows whiten, aspens quiver, Little breezes dusk and shiver Thro' the wave that runs for ever By the island in the river Flowing down to Camelot. Four gray walls, and four gray towers, Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott.
By the margin, willow-veil'd Slide the heavy barges trail'd By slow horses; and unhail'd The shallop flitteth silken-sail'd Skimming down to Camelot: But who hath seen her wave her hand? Or at the casement seen her stand? Or is she known in all the land, The Lady of Shalott?
Only reapers, reaping early In among the bearded barley, Hear a song that echoes cheerly From the river winding clearly, Down to tower'd Camelot: And by the moon the reaper weary, Piling sheaves in uplands airy, Listening, whispers "'Tis the fairy Lady of Shalott."
Part II.
There she weaves by night and day A magic web with colours gay. She has heard a whisper say, A curse is on her if she stay To look down to Camelot. She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott.
And moving thro' a mirror clear That hangs before her all the year, Shadows of the world appear. There she sees the highway near Winding down to Camelot: There the river eddy whirls, And there the surly village-churls, And the red cloaks of market girls, Pass onward from Shalott.
Sometimes a troop of damsels glad, An abbot on an ambling pad, Sometimes a curly shepherd-lad, Or long-hair'd page in crimson clad, Goes by to tower'd Camelot; And sometimes thro' the mirror blue The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott.
But in her web she still delights To weave the mirror's magic sights, For often thro' the silent nights A funeral, with plumes and lights And music, went to Camelot: Or when the moon was overhead, Came two young lovers lately wed; "I am half-sick of shadows," said The Lady of Shalott.
Part III.
A bow-shot from her bower-eaves, He rode between the barley-sheaves, The sun came dazzling thro' the leaves, And flamed upon the brazen greaves Of bold Sir Lancelot. A redcross knight for ever kneel'd To a lady in his shield, That sparkled on the yellow field, Beside remote Shalott.
The gemmy bridle glitter'd free, Like to some branch of stars we see Hung in the golden Galaxy. The bridle-bells rang merrily As he rode down to Camelot: And from his blazon'd baldric slung A mighty silver bugle hung, And as he rode his armour rung, Beside remote Shalott.
All in the blue unclouded weather Thick-jewell'd shone the saddle-leather, The helmet and the helmet-feather Burn'd like one burning flame together, As he rode down to Camelot. As often thro' the purple night, Below the starry clusters bright, Some bearded meteor, trailing light, Moves over still Shalott.
His broad clear brow in sunlight glow'd; On burnish'd hooves his war-horse trode; From underneath his helmet flow'd His coal-black curls as on he rode, As he rode down to Camelot. From the bank and from the river He flash'd into the crystal mirror, "Tirra lirra," by the river Sang Sir Lancelot.
She left the web, she left the loom, She made three paces thro' the room, She saw the water-lily bloom, She saw the helmet and the plume, She look'd down to Camelot. Out flew the web and floated wide; The mirror crack'd from side to side; "The curse is come upon me," cried The Lady of Shalott.
Part IV.
In the stormy east-wind straining, The pale-yellow woods were waning, The broad stream in his banks complaining, Heavily the low sky raining Over tower'd Camelot; Down she came and found a boat Beneath a willow left afloat, And round about the prow she wrote The Lady of Shalott.
And down the river's dim expanse-- Like some bold seër in a trance, Seeing all his own mischance-- With a glassy countenance Did she look to Camelot. And at the closing of the day She loosed the chain, and down she lay; The broad stream bore her far away, The Lady of Shalott.
Lying, robed in snowy white That loosely flew to left and right-- The leaves upon her falling light-- Thro' the noises of the night She floated down to Camelot: And as the boat-head wound along The willowy hills and fields among, They heard her singing her last song, The Lady of Shalott.
Heard a carol, mournful, holy, Chanted loudly, chanted lowly, Till her blood was frozen slowly, And her eyes were darken'd wholly, Turn'd to tower'd Camelot; For ere she reach'd upon the tide The first house by the water-side, Singing in her song she died, The Lady of Shalott.
Under tower and balcony, By garden-wall and gallery, A gleaming shape she floated by, A corse between the houses high, Silent into Camelot. Out upon the wharfs they came, Knight and burgher, lord and dame, And round the prow they read her name, The Lady of Shalott.
Who is this? and what is here? And in the lighted palace near Died the sound of royal cheer; And they cross'd themselves for fear, All the knights at Camelot: But Lancelot mused a little space; He said, "She has a lovely face; God in his mercy lend her grace, The Lady of Shalott."
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Post by Honeylioness on Oct 11, 2013 10:28:39 GMT -5
DesiderataGo placidly amid the noise and haste, and remember what peace there may be in silence. As far as possible without surrender be on good terms with all persons. Speak your truth quietly and clearly; and listen to others, even the dull and ignorant; they too have their story. Avoid loud and aggressive persons, they are vexations to the spirit. If you compare yourself with others, you may become vain and bitter; for always there will be greater and lesser persons than yourself. Enjoy your achievements as well as your plans. Keep interested in your career, however humble; it is a real possession in the changing fortunes of time. Exercise caution in your business affairs; for the world is full of trickery. But let this not blind you to what virtue there is; many persons strive for high ideals; and everywhere life is full of heroism. Be yourself. Especially, do not feign affection. Neither be critical about love; for in the face of all aridity and disenchantment it is as perennial as the grass. Take kindly the counsel of the years, gracefully surrendering the things of youth. Nurture strength of spirit to shield you in sudden misfortune. But do not distress yourself with imaginings. Many fears are born of fatigue and loneliness. Beyond a wholesome discipline, be gentle with yourself. You are a child of the universe, no less than the trees and the stars; you have a right to be here. And whether or not it is clear to you, no doubt the universe is unfolding as it should. Therefore be at peace with God, whatever you conceive Him to be, and whatever your labors and aspirations, in the noisy confusion of life keep peace with your soul. With all its sham, drudgery and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. © Max Ehrmann 1927 *********************************************** Song Lyrics - You are a child of the universe No less than the trees and the stars You have a right to be here
And whether or not It is clear to you No doubt the universe Is unfolding as it should
Go placidly amid the noise and haste And remember what peace There may be in silence As far as possible without surrender Be on good terms with all persons Speak your truth quietly and clearly And listen to others Even the dull and ignorant They too have their story Avoid loud and aggressive persons They are vexations to the spirit If you compare yourself with others You may become vain and bitter For always there will be greater And lesser persons than yourself You are a child of the universe No less than the trees and the stars You have a right to be here
And whether or not It is clear to you No doubt the universe Is unfolding as it should Enjoy your achievements As well as your plans Keep interested in your own career However humble, it is a real possession In the changing fortunes of time Exercise caution in your business affairs For the world is full of trickery But let this not blind you To what virtue there is Many persons strive for high ideals And everywhere life is full of heroism Be yourself Especially do not feign affection Neither be cynical about love For in the face of all aridity And disenchantment It is as perenial as the grass Take kindly the council of the years Gracefully surrendering the things of youth Nurture strength of spirit to Shield you in sudden misfortune But do not distress yourself With imaginings Many fears are borne of Fatigue and loneliness Beyond a wholesome discipline Be gentle with yourself You are a child of the universe No less than the trees and the stars You have a right to be here And whether or not It is clear to you No doubt the universe Is unfolding as it should
Therefore, be at peace with God Whatever you conceive him to be And whatever your labors and aspirations In the noisy confusion of life Keep peace with your soul With all it's sham, drudgery And broken dreams It is still a beautiful world Be careful, strive to be happy You are a child of the universe No less than the trees and the stars You have a right to be here
And whether or not It is clear to you No doubt the universe Is unfolding as it should ******************************************************** You are a fluke Of the universe. You have no right to be here. And whether you can hear it or not The universe is laughing behind your back. Deteriorata! Deteriorata! Go placidly Amid the noise and waste. And remember what comfort there may be In owning a piece thereof. Avoid quiet and passive persons Unless you are in need of sleep. Ro-tate your tires. Speak glowingly of those greater than yourself And heed well their advice, Even though they be turkeys. Know what to kiss.....and when! Consider that two wrongs never make a right But that THREE.........do. Wherever possible, put people on hold. Be comforted that in the face of all aridity and disillusionment And despite the changing fortunes of time, There is always a big future in computer maintenance. You are a fluke Of the universe. You have no right to be here. And whether you can hear it or not The universe is laughing behind your back. Remember the Pueblo. Strive at all times to bend, fold, spindle and mu-ti-late. Know yourself. If you need help, call the FBI. Exercise caution in your daily affairs, Especially with those persons closest to you. That lemon on your left, for instance. Be assured that a walk through the ocean of most souls Would scarcely get your feet wet. Fall not in love therefore; It will stick to your face. Gracefully surrender the things of youth: The birds, clean air, tuna, Taiwan And let not the sands of time Get in your lunch. Hire people with hooks. For a good time call 606-4311; Ask for "Ken." Take heart amid the deepening gloom That your dog is finally getting enough cheese. And reflect that whatever misfortune may be your lot It could only be worse in Milwaukee. You are a fluke Of the universe. You have no right to be here. And whether you can hear it or not The universe is laughing behind your back. Therefore, make peace with your god Whatever you conceive him to be--- Hairy thunderer, or cosmic muffin. With all its hopes, dreams, promises and urban renewal The world continues to deteriorate. GIVE UP! You are a fluke Of the universe. You have no right to be here. And whether you can hear it or not The universe is laughing behind your back.
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Post by Honeylioness on Jan 16, 2014 12:04:23 GMT -5
The Highwayman by Alfred Noyes
The wind was a torrent of darkness among the gusty trees, The moon was a ghostly galleon tossed upon cloudy seas, The road was a ribbon of moonlight, over the purple moor, And the highwayman came riding- riding-riding- The highwayman came riding, up to the old inn-door.
He'd a French cocked-hat on his forehead, a bunch of lace at his chin, A coat of the claret velvet, and breeches of brown doe-skin; They fitted with never a wrinkle: his boots were up to the thigh! And he rode with a jewelled twinkle, His pistol butts a-twinkle, His rapier hilt a-twinkle, under the jewelled sky.
Over the cobbles he clattered and clashed in the dark inn-yard, And he tapped with his whip on the shutters, but all was locked and barred; He whistled a tune to the window, and who should be waiting there But the landlord's black-eyed daughter, Bess, the landlord's daughter, Plaiting a dark red love-knot into her long black hair.
And dark in the old inn-yard a stable-wicket creaked Where Tim the ostler listened; his face was white and peaked; His eyes were hollows of madness, his hair like mouldy hay, But he loved the landlord's daughter, The landlord's red-lipped daughter, Dumb as a dog he listened, and he heard the robber say-
"One kiss, my bonny sweetheart, I'm after a prize to-night, But I shall be back with the yellow gold before the morning light; Yet, if they press me sharply, and harry me through the day, Then look for me by moonlight, Watch for me by moonlight, I'll come to thee by moonlight, though hell should bar the way."
He rose upright in the stirrups; he scarce could reach her hand, But she loosened her hair i' the casement! His face burnt like a brand As the black cascade of perfume came tumbling over his breast; And he kissed its waves in the moonlight, (Oh, sweet black waves in the moonlight!) Then he tugged at his rein in the moonlight, and galloped away to the West.
He did not come in the dawning; he did not come at noon; And out o' the tawny sunset, before the rise o' the moon, When the road was a gipsy's ribbon, looping the purple moor, A red-coat troop came marching- Marching-marching- King George's men came marching, up to the old inn-door.
They said no word to the landlord, they drank his ale instead, But they gagged his daughter and bound her to the foot of her narrow bed; Two of them knelt at her casement, with muskets at their side! There was death at every window; And hell at one dark window; For Bess could see, through the casement, the road that he would ride.
They had tied her up to attention, with many a sblack personing jest; They bound a musket beside her, with the barrel beneath her breast! "Now keep good watch!" and they kissed her. She heard the dead man say- Look for me by moonlight; Watch for me by moonlight; I'll come to thee by moonlight, though hell should bar the way!
She twisted her hands behind her; but all the knots held good! She writhed her hands till here fingers were wet with sweat or blood! They stretched and strained in the darkness, and the hours crawled by like years, Till, now, on the stroke of midnight, Cold, on the stroke of midnight, The tip of one finger touched it! The trigger at least was hers!
The tip of one finger touched it; she strove no more for the rest! Up, she stood up to attention, with the barrel beneath her breast, She would not risk their hearing; she would not strive again; For the road lay bare in the moonlight; Blank and bare in the moonlight; And the blood of her veins in the moonlight throbbed to her love's refrain.
Trot-trot; trot-trot! Had they heard it? The horse-hoofs ringing clear; Trot-trot, trot-trot, in the distance? Were they deaf that they did not hear? Down the ribbon of moonlight, over the brow of the hill, The highwayman came riding, riding, riding! The red-coats looked to their priming! She stood up strait and still!
Trot-trot, in the frosty silence! Trot-trot, in the echoing night! Nearer he came and nearer! Her face was like a light! Her eyes grew wide for a moment; she drew one last deep breath, Then her finger moved in the moonlight, Her musket shattered the moonlight, Shattered her breast in the moonlight and warned him-with her death.
He turned; he spurred to the West; he did not know who stood Bowed, With her head o'er the musket, drenched with her own red blood! Not till the dawn he heard it, his face grew grey to hear How Bess, the landlord's daughter, The landlord's black-eyed daughter, Had watched for her love in the moonlight, and died in the darkness there.
Back, he spurred like a madman, shrieking a curse to the sky, With the white road smoking behind him and his rapier brandished high! Blood-red were his spurs i' the golden noon; wine-red was his velvet coat, When they shot him down on the highway, Down like a dog on the highway, And he lay in his blood on the highway, with a bunch of lace at his throat.
And still of a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a ribbon of moonlight over the purple moor, A highwayman comes riding- riding-riding- A highwayman comes riding, up to the old inn-door.
Over the cobbles he clatters and clangs in the dark inn-yard, And he taps with his whip on the shutters, but all is locked and barred; He whistles a tune to the window, and who should be waiting there But the landlord's black-eyed daughter, Bess, the landlord's daughter, Plaiting a dark red love-knot into her long black hair.
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Post by Honeylioness on Jan 16, 2014 12:13:07 GMT -5
Walter "Walt" Whitman (May 31, 1819 – March 26, 1892) was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.
O ME! O Life!
O ME! O life!... of the questions of these recurring; Of the endless trains of the faithless--of cities fill'd with the foolish; Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?) Of eyes that vainly crave the light--of the objects mean--of the struggle ever renew'd; Of the poor results of all--of the plodding and sordid crowds I see around me; Of the empty and useless years of the rest--with the rest me intertwined; The question, O me! so sad, recurring--What good amid these, O me, O life?
Answer.
That you are here--that life exists, and identity; That the powerful play goes on, and you will contribute a verse.
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O Captain! My Captain!
O CAPTAIN! my Captain! our fearful trip is done; The ship has weather'd every rack, the prize we sought is won; The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring: But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells; Rise up--for you the flag is flung--for you the bugle trills; 10 For you bouquets and ribbon'd wreaths--for you the shores a-crowding; For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head; It is some dream that on the deck, You've fallen cold and dead.
My Captain does not answer, his lips are pale and still; My father does not feel my arm, he has no pulse nor will; The ship is anchor'd safe and sound, its voyage closed and done; From fearful trip, the victor ship, comes in with object won; 20 Exult, O shores, and ring, O bells! But I, with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.
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Post by Honeylioness on Jul 21, 2014 19:18:10 GMT -5
The Chaos by G. Nolst Trenite' a.k.a. "Charivarius" 1870 - 1946
Dearest creature in creation Studying English pronunciation, I will teach you in my verse Sounds like corpse, corps, horse and worse I will keep you, Susy, busy, Make your head with heat grow dizzy. Tear in eye your dress you'll tear, So shall I! Oh, hear my prayer, Pray, console your loving poet, Make my coat look new, dear, sew it! Just compare heart, beard and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it's written). Made has not the sound of bade, Say said, pay-paid, laid, but plaid. Now I surely will not plague you With such words as vague and ague, But be careful how you speak, Say break, steak, but bleak and streak. Previous, precious, fuchsia, via, Pipe, snipe, recipe and choir, Cloven, oven, how and low, Script, receipt, shoe, poem, toe. Hear me say, devoid of trickery: Daughter, laughter and Terpsichore, Typhoid, measles, topsails, aisles. Exiles, similes, reviles. Wholly, holly, signal, signing. Thames, examining, combining Scholar, vicar, and cigar, Solar, mica, war, and far. From "desire": desirable--admirable from "admire." Lumber, plumber, bier, but brier. Chatham, brougham, renown, but known. Knowledge, done, but gone and tone, One, anemone. Balmoral. Kitchen, lichen, laundry, laurel, Gertrude, German, wind, and mind. Scene, Melpomene, mankind, Tortoise, turquoise, chamois-leather, Reading, reading, heathen, heather. This phonetic labyrinth Gives moss, gross, brook, brooch, ninth, plinth. Billet does not end like ballet; Bouquet, wallet, mallet, chalet; Blood and flood are not like food, Nor is mould like should and would. Banquet is not nearly parquet, Which is said to rime with "darky." Viscous, Viscount, load, and broad. Toward, to forward, to reward. And your pronunciation's O.K., When you say correctly: croquet. Rounded, wounded, grieve, and sieve, Friend and fiend, alive, and live, Liberty, library, heave, and heaven, Rachel, ache, moustache, eleven, We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the difference, moreover, Between mover, plover, Dover, Leeches, breeches, wise, precise, Chalice, but police, and lice. Camel, constable, unstable, Principle, disciple, label, Petal, penal, and canal, Wait, surmise, plait, promise, pal. Suit, suite, ruin, circuit, conduit, Rime with "shirk it" and "beyond it." But it is not hard to tell, Why it's pall, mall, but Pall Mall. Muscle, muscular, gaol, iron, Timber, climber, bullion, lion, Worm and storm, chaise, chaos, and chair, Senator, spectator, mayor, Ivy, privy, famous, clamour And enamour rime with hammer. Pussy, hussy, and possess, Desert, but dessert, address. Golf, wolf, countenance, lieutenants. Hoist, in lieu of flags, left pennants. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rime with anger. Neither does devour with clangour. Soul, but foul and gaunt but aunt. Font, front, won't, want, grand, and grant. Shoes, goes, does. Now first say: finger. And then: singer, ginger, linger, Real, zeal, mauve, gauze, and gauge, Marriage, foliage, mirage, age. Query does not rime with very, Nor does fury sound like bury. Dost, lost, post; and doth, cloth, loth; Job, Job; blossom, bosom, oath. Though the difference seems little, We say actual, but victual. Seat, sweat; chaste, caste.; Leigh, eight, height; Put, nut; granite, and unite. Reefer does not rime with deafer, Feoffer does, and zephyr, heifer. Dull, bull, Geoffrey, George, ate, late, Hint, pint, Senate, but sedate. Scenic, Arabic, Pacific, Science, conscience, scientific, Tour, but our and succour, four, Gas, alas, and Arkansas. Sea, idea, guinea, area, Psalm, Maria, but malaria, Youth, south, southern, cleanse and clean, Doctrine, turpentine, marine. Compare alien with Italian, Dandelion with battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, key, quay. Say aver, but ever, fever. Neither, leisure, skein, receiver. Never guess--it is not safe: We say calves, valves, half, but Ralph. Heron, granary, canary, Crevice and device, and eyrie, Face but preface, but efface, Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust, and scour, but scourging, Ear but earn, and wear and bear Do not rime with here, but ere. Seven is right, but so is even, Hyphen, roughen, nephew, Stephen, Monkey, donkey, clerk, and jerk, Asp, grasp, wasp, and cork and work. Pronunciation--think of psyche--! Is a paling, stout and spikey, Won't it make you lose your wits, Writing "groats" and saying "grits"? It's a dark abyss or tunnel, Strewn with stones, like rowlock, gunwale, Islington and Isle of Wight, Housewife, verdict, and indict! Don't you think so, reader, rather, Saying lather, bather, father? Finally: which rimes with "enough" Though, through, plough, cough, hough, or tough? Hiccough has the sound of "cup." My advice is--give it up!
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Post by Honeylioness on Dec 16, 2014 13:00:08 GMT -5
A Loan From God God promised at the birth of time, A special friend to give, His time on earth is short, he said, So love him while he lives. It may be six or seven years, Or twelve or then sixteen, But will you, till I call him back, Take care of him for me? A wagging tail and cold wet nose, And silken velvet ears, A heart as big as all outdoors, To love you through the years. His puppy ways will gladden you, And antics bring a smile, As guardian or friend he will, Be loyal all the while. He'll bring his charms to grace your life, And though his stay be brief, When he's gone the memories, Are solace for your grief. I cannot promise he will stay, Since all from earth return, But lessons only a dog can teach, I want you each to learn. Whatever love you give to him, Returns in triple measure, Follow his lead and gain a life, Brim full of simple pleasure. Enjoy each day as it comes, Allow your heart to guide, Be loyal and steadfast in love, As the dog there by your side. Now will you give him all your love, Nor think the labor vain, Nor hate me when I come to call, To take him back again? I fancy each of us would say, "Dear Lord, thy will be done, For all the joy this dog shall bring, The risk of grief we'll run. "We'll shelter him with tenderness, We'll love him while we may, And for the happiness we've known, Forever grateful stay. "But shall the angels call for him, Much sooner than we've planned, We'll brave the bitter grief that comes, And try to understand."
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